An interruption in my bloggy break so that I can post about a book that I have read for Japanese Literature Book Group. I wanted to participate in the discussion that is currently being held for this book.
Dance Dance Dance
by Haurki Murakami
Originally published in Japanese under the title Dansu Dansu Dansu , in 1988
First published in the United States in 1994
My copy: Vintage International Edition, 1995
Pages 393
Source: Library copy
Read for Japanese Literature Book Group
Back Cover:
In this propulsive novel, one of the most brilliant writers at work in any language fuses science fiction, the hard-boiled thriller, and white-hot satire into a new element of the literary periodic table. As he searches for a mysteriously vanished girlfriend, Murakami's protagonist plunges into a wind tunnel of sexual violence and metaphysical dread in which he collides with call girls; plays chaperone to a lovely teenaged psychic; and receives cryptic instructions from a shabby but oracular Sheep Man. Dance Dance Dance is a tense, poignant, and often hilarious ride through the cultural mosaic that is Japan, a place where everything that is not up for sale is up for grabs.
First Sentence:
I often dream about the Dolphin Hotel.
I had reservations about reading this book. Why? Mostly because I read A Wild Sheep Chase earlier in the month, and while I liked that book very much, I was not certain that I was interested enough in the narrator to read another story based around his life…his wanderings.
I decided to go ahead and read the book because I wanted to follow through on my monthly reading plan…wanted to follow through with the idea that I wanted to participate in the Japanese Literature Book Group. I have found, over this past month, that I really like the way Tanabata runs her blog, her book groups, and discussions. That liking is what drove me to pick up Dance Dance Dance.
Now that I gave you my reservations, let me tell you this…
I.Loved.Dance.Dance.Dance.
Seriously, this book was an excellent read for me. I completely and thoroughly enjoyed the narrator’s wanderings, his life. I completely and thoroughly enjoyed the story…the plot. Wait! The plot? hmmm…yet again, Mr. Murakami has me on that one. I am not certain about the plot…I know there must be a plot in there, but I really cannot clearly define it, let alone write about it. As with Mr. Murakami’s other stories that I have read, I felt like there was nothing really going on, yet there was so much. I will say, right from the first page, I was drawn into the story. The narrator captured me so completely with his story, with those he interacted with, with those he allowed into his life. Yes, this time around he captured me. I felt myself drawn back Dance Dance Dance each every time I put in down. Matter of fact, I did not put it down for long which means…I stayed up as long as my eyes would remain open reading the story. Once my eyes were ready to remain open in the morning, the book was back in hand….I was reading. I guess another good thing is that I am not feeling well, so I really did not want to do much of anything else but lay in bed…that helped to keep me reading, no other distractions to pull me from the reading. Ultimately, I cannot say enough as to how much I liked this story.
The problem is, what can I say, anyway, beyond how much I liked this story? Hmmm….the narrator. Do I know his name? Nope, I cannot recall being told his name once, not even in A Wild Sheep Chase. Unlike A Wild Sheep Chase, this fact of not knowing his name did not deter me at all from finding a great like for him. Actually, this time around, I think his no-name status actually brought me closer into his life. While I liked him in A Wild Sheep Chase, I did not feel he had much direction in life. This time in Dance Dance Dance, I was given a much better insight into his psyche, his way of thinking, he desires, his fears. This time, I understood him, and really found myself liking the way he thinks. He had some solid insight. He is not pretentious nor does he desire superfluous things. He is a solid character. The others that come across his path are much better as well. I felt the characters of Yumiyoshi, Yuki, Gotanda were well written, I felt depth within those characters plus their interactions with the narrator was wonderful.
While our narrator remained nameless, do note that the other characters had names. I noted this while reading, and pondered about it for just a bit. I am sure that naming the secondary characters was done on purpose, I think. Did it alter my reading experience? I am not completely certain that it did because this time I did feel a strong liking for the narrator, which I did not before, and he remained nameless. Still, on some level, I do think it gave me a sense of “knowing” the secondary characters a bit better by being able to put a name to them.
The Sheep Man made an appearance in Dance Dance Dance. I was glad for that because the Sheep Man intrigued me last time. This time, he did not seem so strange. He felt right to me, as if he really did belong in the narrator’s life. Maybe through reading other reader’s thoughts about the Sheep Man during the discussion of A Wild Sheep Chase gave me a better understanding of his purpose which then gave me a sense that he belonged…maybe. Regardless, he was not so strange, and I do think he played a different role in this story. I think his role was more purposeful in the narrator’s life. I think the Sheep Man was a guide to the narrator…a guide in helping him to get out of the doldrums of life, to stop being stuck, to stop the standstill of life. The Sheep Man, with his thoughts, helped the narrator to move forward, to connect with people, to Dance Dance Dance.
I will say, there was a moment of complete humor for me, and that has to do with Yuki’s father. I actually had to read his name two times…no wait…I had to read it three times before it sunk in that I was reading it incorrectly. I had to laugh at that. I was also greatly humored by the way Yuki describes her father. I am thinking Mr. Murakami has a sense of humor to plug Yuki’s father in that manner. Yeah, I liked that part. If you have not read Dance Dance Dance, well then, I am not going to spoil this part by telling you exactly what I am talking about. If you have read Dance Dance Dance, did you not also have a good chuckle at this aspect in the story?
I think by reading The Wild Sheep Chase before Dance Dance Dance gave me better understanding of the narrator, and his life. It gave Dance Dance Dance more depth. For that reason, I do recommend reading A Wild Sheep Chase first. Yet, if you were to read only one book of these two, then I say, read Dance Dance Dance. While I liked The Wild Sheep Chase, I loved Dance Dance Dance. For me, Dance Dance Dance reached me far greater than A Wild Sheep Chase.
Dance Dance Dance is an excellent story filled with intrigue, mystery, loss, abandonment, and relationships.
I will say this again, I loved this story.
To join in on the discussion of Dance Dance Dance, you can head on over to In Spring it is the Dawn.

Side Notes:
This is my third Murakami book, and I continue to be fascinated with his reference to western culture, it intrigues me each time the subtle, and casual way different food, and music is utilized in his stories.
My favorite parts of the book were the interactions between the narrator and Yuki. These are the parts that the narrator made his greatest impression upon me.
A couple of my favorite quotes to give you a flavor of Murakami’s writing:
“Dance,” said the Sheep Man. “Yougottadance. Aslongasthemusicplays. Yougotta dance. Don’teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you’restuck. Sodon’tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou’retired, tiredandscared. Happenstoeveryone, okay? Justdon’tletyourfeetstop. “
p.86
“I don’t mind seeing Yuki that often,” I said, “but I can’t, I won’t, do it every day. I have my own life to look after, and I don’t like seeing people out of obligation. I’ll see her when I feel like it. I don’t need your money, I don’t want your money. I’m not hard up and the money I spend with Yuki won’t be any different than the money I spend with friends. I like Yuki a lot and I enjoy seeing her, but I don’t want the responsibility. Do you read me? Because whatever happens with Yuki, the responsibility ultimately comes back to you.”
p.203